A fresh voicing of a classic favorite, this piece will help introduce mixed ensembles to the Baroque style. A curriculum guide authored by Coty Raven Morris and Colleen McNickle with lesson plans and

This work has the ethos of a spiritual, with the text and a few riffs inspired by Amazing Grace. The choir, considering the power of grace in song, affirms that no trouble, no shame, no

Scored for three or four soprano soli, SATB choir and hang (or piano, guitar, vibraphone or other accompaniment), this piece is very tonal but has an ethereal quality about it. Opening with a drone

Originally conceived to be short responses to movements of an eclectic Mass, these four works that make up Responsorials can be performed together or separately. The texts are extracted and adapted

This setting for SSAA chorus is an arrangement from Stephen Chatman's original set, Due West for SATB chorus, commissioned by the Vancouver Chamber Choir in 1997. The charming text by Tara Wohlberg

The text of this work comes from the actual students in the program who commissioned the work, their short journal entries inspiring the text. The setting has a pop feel with some short a cappella features.

This strong tune and text speaks to the respect with which any nation treats the men and women who serve in their military. Beginning softly, the effect is like a parade that starts in the distance and

This is an exceptionally pretty work perfect for the development and demonstration of a controlled orchestral sound. Also playable by strings alone.

This band arrangement of No. 8 from the Op. 122 organ pieces by Johannes Brahms is, for all intents and purposes, made by the arranger to sound like a big pipe organ plus timpani. Great for band concerts at